From HitFix: The secret of Brad Bird and Damon Lindelof’s ‘Tomorrowland’ is not what you think
Do I know for sure if this is the “real” logline description for Tomorrowland? Nope. But what I do know is that this is the official description that’s being used to help assemble a cast, and it offers the first concrete plot ideas for what we’ll see when Tomorrowland arrives in theaters in 2014.
"A teenage girl, a genius middle-aged man (who was kicked out of Tomorrowland) and a pre-pubescent girl robot attempt to get to and unravel what happened to Tomorrowland, which exists in an alternative dimension, in order to save Earth."
The Tomorrowland that they keep referring to in this break-down appears to be a place where science has blown past the world we live in, and when Frank Walker was a young man, he first encountered the promise of Tomorrowland at the 1964 World’s Fair. David Nix was there, showing off his own work, and he told Walker to come back when he was older and his inventions actually worked. A girl named Athena saw great promise in 11-year-old Frank, though, and she snuck him into Tomorrowland. Eventually, Frank was discovered by Nix and thrown out, but not before learning that the girl he loved, Athena, was actually a robot.
By the time we meet Frank in the film, he’s much older, and is set to play the part. Nix is the role that is signed for, and by the point the main story of the film kicks in, Nix has been in charge of Disneyland for many years, and he’s become rotten, corrupt. Athena, unchanged since Frank was a young man, plays a key role in the film, and the hero is a girl named Casey who has a quick scientific mind that becomes important as the story unfolds. Nix is a guy who values technical accomplishment over creative thinking, and when he throws Frank out of Tomorrowland, he’s not alone. Every creative thinker is banished, allowing Nix to focus purely on aesthetics and technical advancement for its own sake.
There’s interdimensional travel, human-looking robots, and a quest for revenge on the part of Frank. He is a bitter adult, and the film is not just about Casey’s adventure, but also about Frank rediscovering the kid he used to be. It sounds like young Frank actually plays a decent-sized role in the film, so we may see both timelines play out to some extent.
The working title has been 1952, but the top secret film being developed by Disney is now unveiling its official moniker …
The movie will definitely star George Clooney, and it is being developed by director Brad Bird (The Incredibles, The Iron Giant) and writers Damon Lindelof and Entertainment Weekly’s own Jeff “Doc” Jensen (who has been unable to breathe a word to his colleagues. Damn him.)
Last week, Lindelof and Bird began teasing a a revelation, posting images of an archive materials box labeled “1952″ on Twitter. Inside the box, which supposedly provided inspiration for the story, is a copy of the book Model Research: The National Advisory Committee For Aeronautics 1918-1958 by military history professor Alex Roland (published in 1985), and an August 1928 edition of Amazing Stories magazine, featuring a man in a flying suit on the cover — the first appearance of the time-leaping hero Buck Rogers.
There is also what appears to be some sort of 45 record, the nozzle of a small rocket engine, and a scattering of photos of Walt Disney himself.
Update: Damon just tweeted: We won’t tell you what it’s about (yet), but we will tell you what it’s NOT about. And that would be ALIENS.
Star Trek director J.J. Abrams will be helming the next Star Wars movie. “It’s done deal with J.J.,” a source with knowledge of the situation told Deadline today. Argo director Ben Affleck was also up for the gig, the source says. Expected in 2015, Abrams’ Episode VII effort will be the first new Star Wars movie since 2005′s Episode III: Revenge Of The Sith. Michael Arndt is writing the script for the first installment of the relaunch of George Lucas’ franchise by Disney.
Abrams had previously declined the offer: “I quickly said that because of my loyalty to Star Trek, and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.”
“The thing about Prometheus was it was a rewrite. Jon Spaihts wrote a script and I rewrote it. And still it was a year of my life that I spent on Prometheus, kind of all in. The idea of building a sequel to it—from the ground up this time—with Ridley is tremendously exciting. But at the same time, I was like, “Well that’s probably going to be two years of my life.” I can’t do what J.J. [Abrams] does. I don’t have the capability. I’m usually very single-minded creatively. I can only be working on one thing at a time. So I said to him, “I really don’t think I could start working on this movie until I do this other stuff. And I don’t know when the other stuff is going to be done.” And he was like, “Well, okay, it’s not like I asked you anyways.” He and I are on excellent terms and it was a dream come true to work with him. But much to the delight of all the fanboys, I don’t see myself being involved in Prometheus-er.
But then I think what ended up happening was that the movie came out, and there was a reaction to the movie. And I got really wrapped up in Trek, and really wrapped up in this movie that I’m producing and writing with Brad Bird. And I have a TV project that I was really passionate about. Ridley and I had a meeting after Prometheus came out where we started talking again about where this journey would go. And in that meeting I said to him, unfortunately, before he could ask me and go through the discomfort of whether he was going to ask me or not… It’s sort of like having a date where you’re letting the other person know, “I’m in another relationship.” So I can’t tell you that he asked me and I said no. But I did communicate to him that I was working on these other things.”